Anti-musical: Sound work and characters – surveys The group will explore how to create an “anti-musical” that goes against common musical norms of the genre, but still has the dramaturgical form of a musical. We will work with intensive character, sound and voice work, as well as how to find songs/sound themes and a sound…
ATLAS OF INLAND LANDSCAPES The project will make visible the emotional deposits of an effective time. Conditions that often go unspoken, but shape our lives. The project is based on a somatic dance practice, a strategy for presence that stage and performance artist Tora Balslev has developed over a number of years. The method emerged…
The Dying Swan Song I will physically and vocally explore grief, loss, and transformation inspired by the myth of the Swan Song, and with a point of departure in Swan Lake. The project investigates how endings may hold the seed of something new. I will research movement, voice, and spatial proximity to the audience, creating…
two for sensation How do we source performance material out of sensation in real time, and where does that lead us? Keren and Maya explore different scores and frameworks for improvising with and out of sensation. We’ll use each other as partners for stimulating sensation in the body and witnessing its emergence into dance, performance…
Co-Weaving, Monophony During the research, I will transform my previous dance performance (2024) with five performers into a solo version, . I will weave my prose text, which is intertwined with personal memories of migration and friction, into the fabric of movement. By employing choreographic scores of repetition, amplification, and transformation, I aim to shift…
To cultivate a wild heart Coming from a fascination for large spaces and how their energy can be shifted by the appearance of dances that are here and gone we want to research on the question: How can dance take up space? What traces can it leave? How can it shift a space, a…
