Platform

Platform is an artistic exchange of experience in words and practice of experimental projects, where we try to get to the core of each individual’s experimental work, and subsequently, in a joint plenary, also seek to talk about trends and larger lines.

All participants will have 40 minutes each to present their work, which can be done through storytelling and showing pictures and films – if possible, we encourage participants to show/engage the audience in a practice exercise from the experimental work, which can extend the storytelling in a sensory direction.

We break in the middle of the day with soup and bread.

 

Lotte and Øyvind

Artistic Directors at the The Lab station

Platform

Saturday, December 6, 2025, 10 am – 2:30 pm at the Experimental Station

With presentation of trials from August to December 2025.

If you would like to participate, sign up no later than December 2 to forsoegsstationen@gmail.com

 

 

Lotte Faarup

A Hole Without Boundaries—Mapping a Paradox—Losing Something You’ve Never Had—What Artistic Form Could This Take?

Trial: 2025

 

Maj Rafferty

Anti-Musical: Sound Design and Character Studies

Trial: 2025

 

Maya Dalinsky & Keren Hoffman

Two for sensation – How can we use sensation for improvisation?

Trial: 2025

 

Karin Bergman & Joana Ellen Öhlschläger

TO CULTIVATE A WILD HEART– How can dance take up space?

Trial: 2025

 

Yeong Ran Suh

Co-Weaving, Monophony – How can we change our perception of social problems—viewing them as individual rather than collective issues—which compels us to seek individual, biographical solutions to systemic contradictions rather than solidarity?

Trial: 2025

 

 

 

Platform

Saturday d. June 6, 2026, 10:00 a.m. – 2:30 p.m. at the Research Station

With presentation of trials from January to June 2026.

If you’d like to participate, please sign up by May 29 at the latest by emailing forsoegsstationen@gmail.com

 

Tora Balslev

ATLAS OF INNER LANDSCAPES

How can we articulate emotions, give them a spatial form, and a visible place in reality?
– using a movement-based performing arts method and video installation as a format

Trial: 2026

 

Sanna Blennow

The Dying Swan

I explore the “sad body”—how grief moves through us and reshapes us. Through this, I ask: Can grief be more than just sorrow? Can it be a portal into a shared, embodied experience?

Trial: 2025

 

Maj Rafferty

Anti-musical: Sound work and character studies

Is it possible to create an “anti-musical” while still working with songs for fictional characters and their world, as an additional narrative and an extension of their inner world?

Trial: 2025

 

Helena Berglund

The Living Interstice—The Relational Field as Choreographic and Scenic Material.

How and when does a collective presence emerge in the theatrical space, and how can the audience be incorporated into it?

Trial: 2026

 

Ellen Kilsgaard

Re-wild – a trio spanning three generations

How can I bring out the strengths and limitations of three dancers from three different generations in a choreographic piece?

Trial: 2026

 

Keren Hoffmann & Stine Laulund Albrektsen

Take care of caring

What might an aesthetic of embodied care look like?

Trial: 2026

 

Iben Mazanti

The Human Voice in Relation to Energy, the Body, and Acting

How can work involving energy, the body, and acting help bring out the authentic human voice, give it a stronger physical foundation, project it more fully into the space, and bring more playfulness and joy into the performance?

Trial: 2026