Platform
June.
8 new trial projects in spring 2024
You are hereby invited to
Platform
Saturday, June 8, 2024, 10 am – 2:40 pm at the Experimental Station
PLATFORM
Platform is an artistic exchange of experience in words and practice of experimental projects, where we try to get to the core of each individual’s experimental work, and subsequently, in a joint plenary, also seek to talk about trends and larger lines.
All participants get 40 minutes each to present their work, which can be done through storytelling and showing images and films – if possible, we encourage participants to show/involve the audience in a practical exercise from the experimental work that can expand the story in a sensory direction.
We break in the middle of the day with soup and bread.
Let us know if you want to participate by June 3rd: forsoegsstationen@gmail.com
Best regards Lotte and Øyvind
Artistic Directors at the The Lab station
Trials in spring 2024
Alvilda Faber Striim
Hreyfð – an instrument that makes sound through movement – How can a wearable electronic instrument make new connections between movement and sound?
Trial: 30.5. 24 -31.5.24 and fall 24
Ellen Kilsgaard
What the eye cannot see. – How can we work with all senses other than sight and create a musical/choreographic work that is also accessible to blind people?
Trials: 29.4.24 – 30.4.24 and 1.5.24 – 2.5.24
Ottavia Catenacci
YOUR HEART OUT – How can fandom – as the movement between the fan and the idol, as practices of worship, and as a vent – outburst and become dance and a place of sharing?
Trials:18.3.24 -31.3. 24
Sara Gebran
A Research on Art and Earth Jurisprudence – for The Forests Trial. – How to contribute to the task, to find a more horizontal representation of the relation between human and none-human actants in order to be more faithful to the style of action pursue by each exiting element in the world, hoping to do that while promoting greener forms of human culture?
Trials: 6.5.24 – 12.5.24 and 20.5.24 – 25.5.24
Mira Noltenius
Beatrice Visits Islands Beginning with ‘B ‘ – How can I physically, vocally and performance-wise work with and express the concepts: Waves, Biodiversity, Jewelry & Boxes, 4 Islands with ‘B’ and merge the work with visual art based on layer upon layer/chop after chop techniques as if I were creating a painting or a sculpture.
Trials: 1.1.24 – 12.1.24
Kirstine Lindemann
Between Strings – Audience and space How can we expand the sound installation, Between Strings, to include a mobile scenographic element that musicians can interact with and open up the space for – and relationship with – the audience?
Trial: 6.11.23 – 16.11.23
Nadja Mattioli
TENDER-a research into caring choreographies How can care be translated into movement and choreography, both in relation to the performers and the audience/participants?
Trials: 27.11.23 – 10.12.23 and spring 24
Maya Dalinsky
Ode to Alone Experiments with solo practice, inspired by a desire to research and question: What is this solo practice that I have sustained for so many years, and where might it lead me if I invest in it more?
Trial: 15.1.24 – 28.1.24
Program den 8. juni 2024
10.00 – 10.15 | Intro |
FORSØG | |
Camera, hold 1. | |
10.20 – 11.00 | Kirstine Lindemann |
11.00 – 11.40 | Ottavia Catenacci |
11.40 – 12.20 | Mira Noltenius |
Boulevard, hold 2. | |
10.20 – 11.00 | Sara Gebran |
11.00 – 11.40 | Alvilda Faber Striim |
11.40 – 12.20 | Nadja Mattioli |
12.20 - 13.00 | Suppe |
Camera, hold 1. hold 2. | |
13.00 - 13.40 | Ellen Kilsgaard |
13.40 - 14.10 | Maya Dalinsky |
14.10 - 14.40 | Fælles opsamling og samtale om forsøgsarbejde og kunstnerisk udvikling. |
14.40 – | Lørdags øl |