Platform
Saturday, December 7, 2024, 10 am – 2:30 pm at the Experimental Station
Presenting trials from August to December 2024.
If you would like to participate, sign up no later than December 4 to forsoegsstationen@gmail.com
The narrative theatre
Improkor – A joint exploration in shared sound creation – What bodily, communal and (non)linguistic situations and experiences are created when we as a group – a collection of individuals, of bodies – create improvised, voice-based sound and silence together?
Trials: 4.9., 6.10., 27.11., 10.12. 2024
Tim Matiakis
Never the same selves – If all our memories exist right here and now, can we, for a brief moment, release the autobiographical life narrative that our memories have created for us?
Trial: 30.9. – 6.10. 2024
Antoinette Heiberg
On/crying – the gracefulness of tears How can we work with lament dance and lament song to create an artistic space that invites us to wholeheartedly indulge in tears and embrace crying together?
Trial: 30.9.- 5.10. 2024
Ellen Kilsgård
Re-Wilding – a relationcapeHow can relationships, cohesion and diversity (differences in age, gender, temperament, etc.) be expressed – through dance – as a choreographic form?
Trial: 26.8. – 2.12. 2024
Julienne Docu
The Way we – How do language and body language define us?
Trial: 2.6. – 6.9. 2024
Bo Hårdell
Sign language – an artistic approach What tools and artistic approaches should be used to create inclusive performing arts that take the representation of deaf people and sign language seriously?
Trial: 9.9 – 21.9. 2024
Jesper la Cour
Storm – Can we say anything about what it takes for humans to stay on earth by only telling, showing what we say, making sounds and using only one stick per performer in a choreographed storytelling game?
Trial: 6.10. – 27.10. 2024
Platform
Saturday d. June 21, 2025, 10 am – 2:30 pm at the Experimental Station
With presentation of trials from January to June 2025.
If you want to participate, sign up no later than June 18th to forsoegsstationen@gmail.com
Keren- Or Ben Shachar
Pardon my french!? Three movement artists speaking 8 different languages come together and try to research communication. How do the languages they speak influence their thinking, their use of metaphors/aphorisms and their movement language
Trial: 13.1 – 24.1 2025
Max Wallmeier
Smooth Oscillator
– By meshing together our respective approaches, what new choreographic methods and physical practices can we generate that allow us to oscillate between multiple possible meanings?
Trial: 7.8 – 10.8 2023