VOICE WORKSHOP AT THE EXPERIMENTAL STATION SPRING 2024 IN COLLABORATION WITH THE DANISH PERFORMING ARTS SCHOOL’S CONTINUING EDUCATION

Finding your voice by working with

the breath, the body and the voice and the word.

Nadine George’s voice work is about finding your voice’s potential.

It was actually developed for actors but in my work with the method it has become clear that it is about the general human relationships.

Finding your voice, taking your place, focusing your energy and being able to direct your energy, voice and focus to express what you want.

Often your voice is much bigger and has much more colour and strength than you think.

It may be experiences in childhood, adolescence or adulthood that have made us feel smaller.

Voice training is about exploring your voice and its potential, and therefore your own potential

The tools are simple and you can take them with you.

A day will consist of

Working on the breath two by two, guided by me.

Then work on walking in space and focusing the gaze and breath.

Warming up the voices together

Pause

Then work with the voices individually

And at the end of the day work with text

The last part of the work includes all the previous elements. The breath, the focus, the voice and a work on making oneself bigger.

VOICE WORKSHOP 2024

Price for workshop 1500 kr
From 10 am to 4 pm 2024

You can register at the The Lab station or by email: forsoegsstationen@gmail.com
There is a maximum of 8 participants and the first-come-first-served principle applies.
The deadline for registration is May 8 at the latest.
You are only guaranteed a place once we have received your payment.
Payment should be made to the The Lab stationaccount no:8075 1193410

Angelina Kirchhoff is a trained actress.

Since 2003 I have taught at theatre schools, actor students, professional artists, architects from BIG given workshops for the deaf and for the last 12 years I have taught at The Lab station in Kbh. A place to develop and explore for professional performers.

And of course I play theatre.

I met Nadine and the method 20 years ago in a workshop. It opened my eyes to how much I was hiding.

And that I had a much bigger voice and a much bigger range than I knew that I could use, both on stage and in my encounters with other people.

The starting point for Nadine’s teaching is that you should feel comfortable in the space where we work together. We can’t sing wrong. Because it’s not about singing, it’s about opening up your voice to all that it and you hold, so you can take ownership of it and gradually implement the knowledge you gain about yourself in your everyday life.

That’s why we work with text at the end of the day to see concretely what happens when we really open our voices and at the same time focus our energy and direct it outwards.