Voting workshop 7-8 May 2022 10-16 at the Experimental Station
We are once again offering a voice workshop with Angelina Kirchhoff for anyone who wants to work in depth with their voice. The workshop is about finding your voice by working with your breath, body, voice and words.
About the workshop
Nadine George’s voice work is about finding your voice’s potential. It was actually developed for actors but in my work with the method it has become clear that it is about the general human relationships. Finding your voice, taking your place, focusing your energy and being able to direct your energy, voice and focus to express what you want.
Often your voice is much bigger and has much more colour and strength than you think. It may be experiences in childhood, adolescence or adulthood that have made us feel less than ourselves. Voice training is about exploring your voice and its potential, and therefore your own potential. The tools are simple and you can take them with you.
A day will consist of
Working on the breath two by two, guided by me. Then work on walking in space and focusing the gaze and breath. Warming up the voices together. Pause. Then work with the voices individually. At the end of the day work with text. The last part of the work includes all the previous elements. The breath, the focus, the voice and a work on making oneself bigger.
Price: 1500 kr.
Time: 10-16 d. 7. & 8 May 2022.
Registration: in person at the Experimental Station or by e-mail: pr@email@example.com
There is a maximum of 8 participants and it is first come, first served. Deadline for registration and payment is 25 April. You are only guaranteed a place once we have received your payment and the payment must be made to the Experimental Station’s account no: 8075 1193410
Angelina Kirchhoff is a trained actress.
Since 2003 I have taught at theatre schools, students of acting, professional artists, architects from BIG, given workshops for the deaf and for the last 12 years I have taught at Forsøgsstationen in Copenhagen. A place to develop and explore for professional performers. And of course I play theatre.
I met Nadine and the method more than 20 years ago in a workshop. It opened my eyes to how much I was hiding. And that I had a much bigger voice and a much bigger range than I knew that I could use, both on stage and in my encounters with other people.
The starting point for Nadine’s teaching is that you should feel comfortable in the space where we work together. We can’t sing wrong. Because it’s not about singing, it’s about opening up your voice to all that it and you hold, so you can take ownership of it and gradually implement the knowledge you gain about yourself in your everyday life. That’s why we work with text at the end of the day to see concretely what happens when we really open up our voices and at the same time focus our energy and direct it outwards.