Platform
Friday, December 11, 2026, from 10:00 a.m. to 2:30 p.m. at the Research Station
Featuring presentations of experiments from August through December 2026.
If you’d like to participate, please sign up by December 1 at forsoegsstationen@gmail.com
Platform
Platform is an artistic exchange of experience in words and practice of experimental projects, where we try to get to the core of each individual’s experimental work, and subsequently, in a joint plenary, also seek to talk about trends and larger lines.
All participants will have 40 minutes each to present their work, which can be done through storytelling and showing pictures and films – if possible, we encourage participants to show/engage the audience in a practice exercise from the experimental work, which can extend the storytelling in a sensory direction.
We break in the middle of the day with soup and bread.
Lotte and Øyvind
Artistic Directors at the The Lab station
Josefine Skovgaard
Embodiment of sensory exploration – Er det muligt at omsætte sanseobservationer(syns,høre-,føle) til bevægelse, og hvis ja, hvilken form vil diss kropslige billeder så have?
Trial: 2026
Nicolaj Frederik Wamberg
The Sound of Objects and Set Design—How can found objects function as instruments that set the mood within a theme while also serving as visual set design elements in a dance performance for children?
Trial: 2026
Iben Mazanti
The Human Voice in Relation to Energy, the Body, and Acting – How can work involving energy, the body, and acting help bring out the authentic human voice, give it a stronger physical foundation, project it more fully into the space, and bring more playfulness and joy to it?
Trial: 2026
Sanna Blennow
The Dying Swan –I explore the “sad body”—how grief moves through us and reshapes us. Through this, I ask: Can grief be more than just sorrow? Can it be a portal into a shared, embodied experience?
Trial: 2025
Madeleine Cole
The Dig – How do we create tools to make site-specific material site-adaptive? How does pre-existing material change when it encounters new spaces?
Experiment 2025
Jesper la Cour
Audience Participation with Voice-Based Sound Interpretation —How can audience voices be incorporated artistically as performers of atmospheric interpretation in narrative theater? How does the storyteller facilitate voice-based sound improvisations as a mood-setting element in a performance? How do we create tools to make site-specific material site-adaptive? How does pre-existing material change when it encounters new spaces?
Experiment 2026
Tora Balslev
FEEL FREE – How can we articulate emotions, give them a spatial form, and a visible place in reality?
– using a movement-based performing arts method and video installation as a format
Trial: 2026