What are the qualities of breath as a musical and theatrical means of expression in harmony with an audience?
BREATH started as an investigation of breath as an interdisciplinary expression: we wanted to explore the musical and physical qualities of breath. During the study, it became clear how we subconsciously recognise and copy the bodily movement patterns and emotions that our breath carries with it. This communication through breath entered as a clear player in the work and gave the study a new focus: how can breath as sound and movement create a relationship with, perhaps even transform, an audience?
Kirstine Lindemann, Linn Sandegård, Louise Skaaning, Lasse Munk.