{"id":8147,"date":"2025-12-11T09:12:03","date_gmt":"2025-12-11T08:12:03","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/2025\/12\/photos-from-platform-on-saturday-december-6-2025\/"},"modified":"2026-08-25T21:52:47","modified_gmt":"2026-08-25T19:52:47","slug":"photos-from-platform-on-saturday-december-6-2025","status":"publish","type":"post","link":"https:\/\/www.forsoegsstationen.dk\/en\/2025\/12\/photos-from-platform-on-saturday-december-6-2025\/","title":{"rendered":"Photos from Platform on Saturday, December 6, 2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3312|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg|caption^null|alt^null|title^bg|description^null&#8221; bg_image_size=&#8221;contain&#8221; css=&#8221;.vc_custom_1644672543524{padding-right: 50px !important;padding-left: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1734344390914{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h2>Platform Saturday, December 6, 2025<\/h2>\n<p>&nbsp;<\/p>\n<h3> <\/h3>\n<p><strong>Lotte Faarup<\/strong><\/p>\n<p><strong>Hole without boundaries \u2013 mapping a paradox \u2013 Losing <\/strong>something you never had \u2013 what artistic form can this take?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Maya Dalinsky &#038; Keren Hoffman  <\/strong><\/p>\n<p><strong>Two for sensation <\/strong>&#8211; How can we use sensation for improvisation?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Karin Bergman &#038; Joana Ellen \u00d6hlschl\u00e4ger<\/strong><\/p>\n<p><strong>TO CULTIVATE A WILD HEART\u2014<\/strong>How can dance take up space?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Yeong Ran Suh<\/strong><\/p>\n<p><strong>Co-Weaving, Monophony\u2014How <\/strong>can we change our perception of social problems as individual rather than collective, a perception that compels us to seek individual, biographical solutions to systemic contradictions rather than solidarity?<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][vc_single_image image=&#8221;6280&#8243; img_size=&#8221;full&#8221;][vc_empty_space][vc_single_image image=&#8221;6282&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_single_image image=&#8221;6288&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_single_image image=&#8221;6290&#8243; img_size=&#8221;full&#8221;][vc_empty_space][vc_single_image image=&#8221;6322&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1734344399708{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_empty_space][vc_single_image image=&#8221;6284&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p>&nbsp;<\/p>\n<h4>Platform<\/h4>\n<p>is an artistic exchange of experiences\u2014both in words and in practice\u2014through experimental projects, where we strive to get to the heart of each participant\u2019s experimental work and, subsequently, in a joint plenary session, also seek to discuss trends and broader themes.<\/p>\n<p>All participants will have 40 minutes to present their work, which can be done through storytelling and by showing images and films. If possible, we encourage participants to involve the audience in a hands-on exercise from their experimental work, which can expand the narrative in a sensory direction. <\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><em>Platform  <\/em><\/h4>\n<p><em>is an artistic exchange of experience in words and practice of experimental projects, where we try to get to the core of the individual&#8217;s experimental work, and subsequently in a joint plenary also seek to talk about trends and larger lines.<\/em><\/p>\n<p><em>All participants will have 40 minutes each to present their work, which can be done through storytelling and showing pictures and films &#8211; if possible, we encourage participants to show\/engage the audience in a practice exercise from the experimental work, which can extend the storytelling in a sensory direction.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][vc_single_image image=&#8221;6315&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;][\/vc_column_text][vc_empty_space][vc_single_image image=&#8221;6330&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_single_image image=&#8221;6276&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3312|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg|caption^null|alt^null|title^bg|description^null&#8221; bg_image_size=&#8221;contain&#8221; css=&#8221;.vc_custom_1644672543524{padding-right: 50px !important;padding-left: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1734344390914{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_text css=&#8221;&#8221;] Platform Saturday, December 6, 2025 &nbsp; Lotte Faarup Hole without boundaries \u2013 mapping a paradox \u2013 Losing something you never had \u2013 what artistic form can this take? &nbsp; Maya Dalinsky &#038; Keren Hoffman Two for sensation &#8211;&hellip;<\/p>\n","protected":false},"author":10,"featured_media":6274,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[47],"tags":[],"class_list":["post-8147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","category-47","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - 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