{"id":5562,"date":"2024-01-03T19:56:27","date_gmt":"2024-01-03T18:56:27","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/2024\/01\/try-bacchanter-xo\/"},"modified":"2024-01-03T19:56:37","modified_gmt":"2024-01-03T18:56:37","slug":"try-bacchanter-xo","status":"publish","type":"post","link":"https:\/\/www.forsoegsstationen.dk\/en\/2024\/01\/try-bacchanter-xo\/","title":{"rendered":"TRY “BACCHANTER XO”"},"content":{"rendered":"

[vc_row bg_type=”image” parallax_style=”vcpb-default” bg_image_new=”id^3312|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg|caption^null|alt^null|title^bg|description^null” bg_image_size=”contain” css=”.vc_custom_1644672543524{padding-right: 50px !important;padding-left: 25px !important;}”][vc_column width=”2\/3″ css=”.vc_custom_1644672528312{padding-right: 25px !important;padding-left: 50px !important;}”][vc_column_text]<\/p>\n

\n

TRY “BACCHANTER XO”<\/h1>\n
\n

In 1996, three actors and physical performers played together in Anne-Lise Gabold’s production of “The Bacchantes” by Euripides.<\/p>\n

In August 2015, Angelina Watson, along with the other two actors, led the “Bacchanter XO” trial.
\nThe experiment investigates whether years of work with the Suzuki Method and Nadine-George voice training are stored in physical memory.<\/p>\n

Has the training matured the physical and mental body?<\/p>\n<\/div>\n<\/div>\n

\n

<\/h1>\n
\n

Does professional artistic experience – both physical and stage experience – add a new dimension to physical expression?<\/p>\n

Is it possible to reintroduce training and still gain new knowledge?<\/p>\n

They write: “Our bodies and voices have changed since we played together in the show in 1996. There is a more complex experience in them and in our souls than there was when we were young.
\nIt’s an exploration of where we are right now with voices, bodies and each other.”<\/p>\n

Participants in the trial:
\nDea Fog, Anja Owe, Birgitte Prins and Angelina Watson.
\nThe principal investigator was Angelina Watson.<\/p>\n

Now the group has delivered a test report.
\nIt can be freely downloaded here<\/a>.<\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”1262″ img_size=”full”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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The experiment…<\/p>\n","protected":false},"author":420,"featured_media":3630,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[57],"tags":[],"class_list":["post-5562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trial-15-16","category-57","description-off"],"acf":[],"yoast_head":"\nTRY "BACCHANTER XO" - Fors\u00f8gsstationen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.forsoegsstationen.dk\/en\/2024\/01\/try-bacchanter-xo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TRY "BACCHANTER XO" - Fors\u00f8gsstationen\" \/>\n<meta property=\"og:description\" content=\"[vc_row bg_type=”image” parallax_style=”vcpb-default” bg_image_new=”id^3312|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg|caption^null|alt^null|title^bg|description^null” bg_image_size=”contain” css=”.vc_custom_1644672543524{padding-right: 50px !important;padding-left: 25px !important;}”][vc_column width=”2\/3″ css=”.vc_custom_1644672528312{padding-right: 25px !important;padding-left: 50px !important;}”][vc_column_text] TRY “BACCHANTER XO” In 1996, three actors and physical performers played together in Anne-Lise Gabold’s production of “The Bacchantes” by Euripides. 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