{"id":5266,"date":"2016-03-12T20:37:05","date_gmt":"2016-03-12T19:37:05","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/2016\/03\/12\/embodied-immediacy\/"},"modified":"2023-03-12T20:46:49","modified_gmt":"2023-03-12T19:46:49","slug":"embodied-immediacy","status":"publish","type":"post","link":"https:\/\/www.forsoegsstationen.dk\/en\/2016\/03\/embodied-immediacy\/","title":{"rendered":"EMBODIED IMMEDIACY"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text]<\/p>\n<h1>EMBODIED IMMEDIACY<\/h1>\n<div class=\"bread\">\n<p>The experiment is a first step into a working partnership between movement and experience facilitator Rikke Jeppesen Rod (DK) and dancer-poet Catherine Magill (AUS). The project was born out of a shared curiosity about the synergy that arises when dance and words are simultaneously listening to each other&#8217;s stories. Can particular approaches to &#8220;Spoken Dance&#8221; uncover new ways of releasing embodied and ineffable experience, history, identity? The experiment will explore different approaches to poetry\/text and improvisation-based dance\/performance and represents a beginning to establish working communities across continents via &#8216;low tech&#8217; formats. The intention report and later the trial report are written in English, which is their common working language.<\/p>\n<p>Experiment report is available <a href=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2016\/11\/Precious2Bold_report.pdf\">here<\/a>.<\/p>\n<\/div>\n<p>Read the trial&#8217;s statement of intent <a href=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2016\/11\/Intensionsrapport_IMMEDIACY_MAGILL_ROD.pdf\">here<\/a><\/p>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785916970{padding-right: 50px !important;padding-left: 25px !important;}&#8221;][vc_column_text]<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1706 size-medium\" src=\".\/Embodied%20immediacy%20-%20Fors%C3%B8gsstationenFors%C3%B8gsstationen_files\/DSC_0758-300x201.jpeg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2016\/11\/DSC_0758-300x201.jpeg 300w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2016\/11\/DSC_0758.jpeg 320w\" alt=\"Photo: Mischa Baka - from the performance \"Women of the North\", Melbourne, October 2016\" width=\"300\" height=\"201\" aria-describedby=\"caption-attachment-1706\"><\/p>\n<p id=\"caption-attachment-1706\" class=\"wp-caption-text\">Photo: Misha Baka, visual artwork by Lisa Larsdotter Peterson (SE), performer Catherine Magill &#8211; from performance &#8220;Women of the North&#8221;, Melbourne, October 2016.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -15px; top: -16px;\">\n<div class=\"gtx-trans-icon\"> <\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] EMBODIED IMMEDIACY The experiment is a first step into a working partnership between movement and experience facilitator Rikke Jeppesen Rod (DK) and dancer-poet Catherine Magill (AUS). The project was born out of a shared curiosity about the synergy that arises when dance and words are&hellip;<\/p>\n","protected":false},"author":10,"featured_media":3721,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[71],"tags":[],"class_list":["post-5266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trials-16-17","category-71","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>EMBODIED IMMEDIACY - Fors\u00f8gsstationen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.forsoegsstationen.dk\/en\/2016\/03\/embodied-immediacy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EMBODIED IMMEDIACY - Fors\u00f8gsstationen\" \/>\n<meta property=\"og:description\" content=\"[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] EMBODIED IMMEDIACY The experiment is a first step into a working partnership between movement and experience facilitator Rikke Jeppesen Rod (DK) and dancer-poet Catherine Magill (AUS). The project was born out of a shared curiosity about the synergy that arises when dance and words are&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.forsoegsstationen.dk\/en\/2016\/03\/embodied-immediacy\/\" \/>\n<meta property=\"og:site_name\" content=\"Fors\u00f8gsstationen\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/vaerkstedforscenekunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-12T19:37:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-12T19:46:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2016\/11\/DSC_0758.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"320\" \/>\n\t<meta property=\"og:image:height\" content=\"214\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u00d8yvind Kirchhoff\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00d8yvind Kirchhoff\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2016\\\/03\\\/embodied-immediacy\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2016\\\/03\\\/embodied-immediacy\\\/\"},\"author\":{\"name\":\"\u00d8yvind Kirchhoff\",\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/#\\\/schema\\\/person\\\/1c3c61e3f6e11ca3d824b7162b14a5ed\"},\"headline\":\"EMBODIED IMMEDIACY\",\"datePublished\":\"2016-03-12T19:37:05+00:00\",\"dateModified\":\"2023-03-12T19:46:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2016\\\/03\\\/embodied-immediacy\\\/\"},\"wordCount\":230,\"publisher\":{\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2016\\\/03\\\/embodied-immediacy\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/wp-content\\\/uploads\\\/2016\\\/11\\\/DSC_0758.jpeg\",\"articleSection\":[\"Trials 16\\\/17\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2016\\\/03\\\/embodied-immediacy\\\/\",\"url\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2016\\\/03\\\/embodied-immediacy\\\/\",\"name\":\"EMBODIED IMMEDIACY - 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Fors\u00f8gsstationen","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.forsoegsstationen.dk\/en\/2016\/03\/embodied-immediacy\/","og_locale":"en_US","og_type":"article","og_title":"EMBODIED IMMEDIACY - Fors\u00f8gsstationen","og_description":"[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] EMBODIED IMMEDIACY The experiment is a first step into a working partnership between movement and experience facilitator Rikke Jeppesen Rod (DK) and dancer-poet Catherine Magill (AUS). 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