{"id":4824,"date":"2022-03-21T09:38:11","date_gmt":"2022-03-21T08:38:11","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/2022\/03\/21\/the-circular-self\/"},"modified":"2022-08-11T22:37:38","modified_gmt":"2022-08-11T20:37:38","slug":"the-circular-self","status":"publish","type":"post","link":"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-circular-self\/","title":{"rendered":"THE CIRCULAR SELF"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text]<\/p>\n<p><b>THE CIRCULAR SELF<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The experiment &#8220;The Circular Self&#8221; is led by choreographer Sara Gebran and explores how concepts like intimacy and inclusion can be established on stage. It is an elaboration of concepts and practices in her book &#8220;ANOTHER HOLE&#8221; (2019).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Read the experiment&#8217;s purpose statement <\/span><a href=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/08\/INtentionsrapport_The_circular_self.pdf\"><br \/>\n  <span style=\"font-weight: 400;\">here<\/span><br \/>\n<\/a><\/p>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785916970{padding-right: 50px !important;padding-left: 25px !important;}&#8221;][vc_column_text]<\/p>\n<p><b>HOLD BAG<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The experiment is led by choreographer Sara Gebran, who is also the performer in the study. In addition, three internationally renowned choreographers and set designers will be invited to participate in different parts of the experiment. They are Rebecka Stillman (Se), Maria Stiernborg and Olivia Riviera (Dk\/Se).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Photo: Sara Gebran<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -15px; top: -16px;\">\n<div class=\"gtx-trans-icon\"> <\/div>\n<\/div>\n<p>[\/vc_column_text][vc_single_image image=&#8221;2680&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] THE CIRCULAR SELF The experiment &#8220;The Circular Self&#8221; is led by choreographer Sara Gebran and explores how concepts like intimacy and inclusion can be established on stage. It is an elaboration of concepts and practices in her book &#8220;ANOTHER HOLE&#8221; (2019). Read the experiment&#8217;s purpose&hellip;<\/p>\n","protected":false},"author":417,"featured_media":4098,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69],"tags":[],"class_list":["post-4824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trials-19-20","category-69","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THE CIRCULAR SELF - Fors\u00f8gsstationen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-circular-self\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE CIRCULAR SELF - Fors\u00f8gsstationen\" \/>\n<meta property=\"og:description\" content=\"[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] THE CIRCULAR SELF The experiment &#8220;The Circular Self&#8221; is led by choreographer Sara Gebran and explores how concepts like intimacy and inclusion can be established on stage. It is an elaboration of concepts and practices in her book &#8220;ANOTHER HOLE&#8221; (2019). 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Fors\u00f8gsstationen","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-circular-self\/","og_locale":"en_US","og_type":"article","og_title":"THE CIRCULAR SELF - Fors\u00f8gsstationen","og_description":"[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] THE CIRCULAR SELF The experiment &#8220;The Circular Self&#8221; is led by choreographer Sara Gebran and explores how concepts like intimacy and inclusion can be established on stage. 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