{"id":4805,"date":"2021-08-13T05:55:24","date_gmt":"2021-08-13T03:55:24","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/2021\/08\/13\/newsletter-june-2021\/"},"modified":"2023-08-23T20:58:54","modified_gmt":"2023-08-23T18:58:54","slug":"newsletter-june-2021","status":"publish","type":"post","link":"https:\/\/www.forsoegsstationen.dk\/en\/2021\/08\/newsletter-june-2021\/","title":{"rendered":"Newsletter June 2021"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column css=&#8221;.vc_custom_1692817021586{padding: 50px !important;background-image: url(https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg?id=3312) !important;}&#8221;][vc_column_text]<\/p>\n<h2><strong>The INTO THE UNKNOWN site has expanded to include presentations of two new experiments:<\/strong><\/h2>\n<p><strong>The Shape of the Audience<\/strong><br \/>\n&#8211; study of audience movements, seen as choreographic patterns. Katrien van der Velden and Antoinette Helbing\/ Fors\u00f8gsstationen<\/p>\n<p><strong>The sound of the audience and silence-pause-reverberation<\/strong><br \/>\n&#8211; study of the auditory identity of the audience in the theatre.<\/p>\n<p>Peter Bruun and Erik Jakobsson \/ Research Station<\/p>\n<p>Click here:<\/p>\n<p><a href=\"https:\/\/www.intotheunknown.forsoegsstationen.dk\/\">w w w . i n t o t h e u n k n o w n . f o r s o e g s s t a t i o n s . d k<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>INTO THE UNKNOWN is open source on the Research Station&#8217;s website, where professionals and other interested parties can easily access examples of experimental work in words and practice. Each experiment is presented through interview, report and video footage to provide both an intellectual and sensory approach to the work.<\/p>\n<p>If you go to the site you can see the last 2 new test examples. Or if you missed the first 10 presentations when we launched the site at our 10th birthday last season, you can enjoy them too:<\/p>\n<p><strong>Totally! Dance!<\/strong><br \/>\nwhen the audience experiences the dance physically. Ellen Kilsgaard and co.<\/p>\n<p><strong>The Actor and the \u00dcbermarionette<\/strong><br \/>\na study of the actor and the stage expression of puppetry. Fors\u00f8gsstationen\/\u00d8yvind Kirchhoff, Rolf S\u00f8borg et al.<\/p>\n<p><strong>Breath<\/strong><br \/>\nstudy of breath as interdiciplinary expression. Dummykopf\/Kirstine Lindemann<\/p>\n<p><strong>Teaching each other Lab\/Mondays<\/strong><br \/>\nstudy of how teaching and learning of performative formats can be done in a nonhierarchical way. B &amp; W &#8211; Art and support<\/p>\n<p><strong>Story Play<\/strong><br \/>\nstudy of the Story Play model&#8217;s 5 phases. The narrative theatre<\/p>\n<p><strong>Track<\/strong><br \/>\nstudy of what the imprint of the autonomous body in motion looks like. Katrine Stewart<\/p>\n<p><strong>Second skin experiment<\/strong><br \/>\nstudy of what a doll is; how and when it arises. Wunderverk<\/p>\n<p><strong>Antimusic<\/strong><br \/>\na study in failing.<\/p>\n<p>The Olske Orchestra<\/p>\n<p><strong>Random Performance Game<\/strong><br \/>\ndevelopment of a game to inspire the creative process. Livingstone&#8217;s Cabinet<\/p>\n<p><strong>Like not like<\/strong><br \/>\nstudy of public evaluation of creative ideas. Jens B\u00e4ckvall and Christian Rossil<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Activities of the experimental station in season 21\/22<\/strong><\/p>\n<p>Weekly calendar<\/p>\n<p>Monday<\/p>\n<p>9-11 Teach each other Mondays v\/ B&amp;W Art and Support<\/p>\n<p>18 &#8211; 21 Stands &amp; Dance<\/p>\n<p>Tuesday<br \/>\n19.30-22 Gaga training<\/p>\n<p>&nbsp;<\/p>\n<p>Wednesday<br \/>\n9-11 Nadine George voice training by Angelina Kirchhoff<\/p>\n<p>19-22 Dance platform\/ training network for dancers and physical performers led by Antoinette Helbing and Katrien van der Velden first \u00bd season.<\/p>\n<p>&nbsp;<\/p>\n<p>Thursday<br \/>\n8 &#8211; 10 Gaga training<\/p>\n<p>&nbsp;<\/p>\n<p>Gaga training starts 3 August. All other training starts from 1 September.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Workshops<\/strong><br \/>\nTwo 2 weekend courses in Nadine George voice technique 6. and 7 November &#8217;21 and 7. and May 8, 2022 by voice teacher Angelina Kirchhoff.<\/p>\n<p>Workshop &#8220;European avant-garde theatre&#8221; 18 and 25 November and 2 December 7-10 pm with theatre studies and director Marc van der Velden.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Members&#8217; evenings<\/strong><br \/>\nNew initiative Fridays from 5 &#8211; 8 pm (September 24, November 26, January 28, March 25 and May 27) Speeches, news, exchange and soup for all members.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dance platform<\/strong><br \/>\nNew initiative for all dancers\/choreographers\/physical performers every Wednesday evening between 7pm and 10pm, starting September 1st.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Try<\/strong><br \/>\nThe Experimental Station is organising a pre-experiment &#8220;Audience in the Urban Space&#8221; &#8211; as part of the concept &#8220;Audience in an Artistic Context&#8221;.<\/p>\n<p>Voice teacher Angelina Kirchhoff conducts the trial &#8220;Breath, Voice and PTSD&#8221; &#8211; a study for female war veterans in releasing the breath and opening the voice.<\/p>\n<p>Dancer and choreographer Anna Stamp presents &#8220;What we leave behind&#8221; &#8211; an exploration of human traces and imprints.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Artist talk<\/strong><br \/>\nGLAD theatre has a residency at Fors\u00f8gsstationen in October, which involves Theater Complicit\u00e9. The theatre will hold an artist talk on Thursday. October 28.<\/p>\n<p>&nbsp;<\/p>\n<p>In addition to the activities mentioned, there will be more trials and events on an ongoing basis.<\/p>\n<p>More information and details will be available on the Experimental Station website in August &#8211; subject to change.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Reminder if you want to remain a member:<\/strong><br \/>\nThe Experimental Station invites all interested parties &#8211; new and old members alike &#8211; to submit their CV and membership application for the 21\/22 season. If the application is received before 20 June, you will be eligible for membership from 2 August. You will receive a reply to your application by 28 June. Applications received after 20 June will be processed in August. There is no automatic renewal this year, so we ask that you pay only after you have received an approval of the membership on your email.<\/p>\n<p>&nbsp;<\/p>\n<p>Prices for the 21\/22 season are as follows:<\/p>\n<p>&nbsp;<\/p>\n<p>Individual membership 1.450 kr.<br \/>\nIndividual membership DKK 1,100 when applying in June\/early August.<br \/>\nIndividual membership for artists outside Copenhagen 450 kr.<br \/>\nGroup membership for theatres\/associations in Greater Copenhagen 3.300 kr.<br \/>\nGroup membership for theatres\/associations outside Copenhagen 1.700 kr.<br \/>\nGuest memberships for artists living abroad 300 DKK.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column css=&#8221;.vc_custom_1692817021586{padding: 50px !important;background-image: url(https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg?id=3312) !important;}&#8221;][vc_column_text] The INTO THE UNKNOWN site has expanded to include presentations of two new experiments: The Shape of the Audience &#8211; study of audience movements, seen as choreographic patterns. Katrien van der Velden and Antoinette Helbing\/ Fors\u00f8gsstationen The sound of the audience and silence-pause-reverberation &#8211; study of the auditory identity&hellip;<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[],"class_list":["post-4805","post","type-post","status-publish","format-standard","hentry","category-newsletters","category-56","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Newsletter June 2021 - Fors\u00f8gsstationen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.forsoegsstationen.dk\/en\/2021\/08\/newsletter-june-2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Newsletter June 2021 - Fors\u00f8gsstationen\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column css=&#8221;.vc_custom_1692817021586{padding: 50px !important;background-image: url(https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg?id=3312) !important;}&#8221;][vc_column_text] The INTO THE UNKNOWN site has expanded to include presentations of two new experiments: The Shape of the Audience &#8211; study of audience movements, seen as choreographic patterns. Katrien van der Velden and Antoinette Helbing\/ Fors\u00f8gsstationen The sound of the audience and silence-pause-reverberation &#8211; study of the auditory identity&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.forsoegsstationen.dk\/en\/2021\/08\/newsletter-june-2021\/\" \/>\n<meta property=\"og:site_name\" content=\"Fors\u00f8gsstationen\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/vaerkstedforscenekunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-08-13T03:55:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-23T18:58:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2015\/06\/headerimg.png\" \/>\n\t<meta property=\"og:image:width\" content=\"890\" \/>\n\t<meta property=\"og:image:height\" content=\"110\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"\u00d8yvind Kirchhoff\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00d8yvind Kirchhoff\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2021\\\/08\\\/newsletter-june-2021\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2021\\\/08\\\/newsletter-june-2021\\\/\"},\"author\":{\"name\":\"\u00d8yvind Kirchhoff\",\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/#\\\/schema\\\/person\\\/1c3c61e3f6e11ca3d824b7162b14a5ed\"},\"headline\":\"Newsletter June 2021\",\"datePublished\":\"2021-08-13T03:55:24+00:00\",\"dateModified\":\"2023-08-23T18:58:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2021\\\/08\\\/newsletter-june-2021\\\/\"},\"wordCount\":832,\"publisher\":{\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/#organization\"},\"articleSection\":[\"Newsletters\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2021\\\/08\\\/newsletter-june-2021\\\/\",\"url\":\"https:\\\/\\\/www.forsoegsstationen.dk\\\/en\\\/2021\\\/08\\\/newsletter-june-2021\\\/\",\"name\":\"Newsletter June 2021 - 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Fors\u00f8gsstationen","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.forsoegsstationen.dk\/en\/2021\/08\/newsletter-june-2021\/","og_locale":"en_US","og_type":"article","og_title":"Newsletter June 2021 - Fors\u00f8gsstationen","og_description":"[vc_row][vc_column css=&#8221;.vc_custom_1692817021586{padding: 50px !important;background-image: url(https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg.jpg?id=3312) !important;}&#8221;][vc_column_text] The INTO THE UNKNOWN site has expanded to include presentations of two new experiments: The Shape of the Audience &#8211; study of audience movements, seen as choreographic patterns. 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