{"id":4800,"date":"2021-05-21T12:00:06","date_gmt":"2021-05-21T10:00:06","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/2021\/05\/21\/film-screening-and-performance-during-cph-stage\/"},"modified":"2021-05-21T12:00:06","modified_gmt":"2021-05-21T10:00:06","slug":"film-screening-and-performance-during-cph-stage","status":"publish","type":"post","link":"https:\/\/www.forsoegsstationen.dk\/en\/2021\/05\/film-screening-and-performance-during-cph-stage\/","title":{"rendered":"Film screening and performance during CPH. STAGE"},"content":{"rendered":"<p>The choral work <strong>&#8220;<em>Silence &#8211; Pause &#8211; Reverberation&#8221; <\/em><\/strong>and the performance<\/p>\n<p><strong><br \/>\n  <em>&#8220;The Driverless Man&#8221; <\/em><br \/>\n<\/strong>presented during CPH. STAGE.<\/p>\n<p>Read more about pre-stories, content and ticketing here.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3087\" src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/10\/presse7-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/10\/presse7-1-300x200.jpg 300w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/10\/presse7-1-1024x683.jpg 1024w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/10\/presse7-1-768x512.jpg 768w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/10\/presse7-1-1536x1024.jpg 1536w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/10\/presse7-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1><strong><em>&#8220;Silence &#8211; Pause &#8211; Reverberation&#8221;<\/em><\/strong><\/h1>\n<h1>A choral work of audience sounds<\/h1>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2931 size-large\" src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/03\/nytkor-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/03\/nytkor-1024x576.jpg 1024w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/03\/nytkor-300x169.jpg 300w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/03\/nytkor-768x432.jpg 768w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/03\/nytkor-1536x864.jpg 1536w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2020\/03\/nytkor-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>For the past 5 years, the research station has focused on &#8220;audience relations in an artistic context&#8221; as a basic research project; primarily to develop understanding of audience identity and capacities in theatre. In the 2016\/2017 season, we launched the EU-funded research project &#8220;<strong><br \/>\n  <em>The Sound of the Audience<\/em><br \/>\n<\/strong>,&#8221; in which 40 Vesterbro citizens from different social backgrounds, together with musicians and performing artists, created a sound work based exclusively on the sounds and actions of the audience in the theatre.<\/p>\n<p>With the experimental project &#8220;<strong><br \/>\n  <em>Silence &#8211; Pause &#8211; Reverberation&#8221; <\/em><br \/>\n<\/strong>we continued in 2020 with the study of the aural audience identity, this time with more focus on private and introverted aural phenomena of the audience.<\/p>\n<p>The very first choir test (photo) took place in March 2020 just before the shutdown. Fortunately, we managed to resume the experiment in August and present it live in October 2020 to a smaller audience.<\/p>\n<p>The work is now on display at CPH. STAGE as film screening &#8211; admission is FREE, but due to limited seating it is important to book a ticket.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Screening of<em>&#8220;Silence &#8211; Pause &#8211; Reverberation&#8221; <\/em>at Fors\u00f8gsstationen, S\u00f8nder Boulevard 81, Vesterbro:<\/strong><\/p>\n<p>Saturday d. 29 May at 11.15, 11.45, 12.15, 12.45 and 13.15.<\/p>\n<p>Sunday d. 30 May at 11.15, 11.45, 12.15, 12.45 and 13.15.<\/p>\n<p><a href=\"https:\/\/www.cphstage.dk\/forestilling\/stilhed-pause-efterklang\/\">Book your ticket here<\/a> or on tel. <a href=\"tel:70272272\">70 272 272<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Composer:<\/strong> Peter Bruun &#8211; <strong>Conductor<\/strong>: Erik Jakobsson &#8211; <strong>Artistic direction<\/strong>: \u00d8yvind Kirchhoff and Lotte Faarup<\/p>\n<p><strong>Documentation<\/strong>: Rikke Jeppesen Rod, Helle Lysh\u00f8j, \u00d8yvind Kirchhoff.<\/p>\n<p><strong>Kor:<\/strong>  Anna Lyngby Olsen, Anne Hansen, Anne Pedersen, Berit Christiansen, Birgitta Frello, Fatima Larmi, Hanne L\u00f8vendahl, Henrik Bencke, Iben Schlanbusch, Jesper la Cour Andersen, Julie Gaugler, Jytte Kristensen, Kent H\u00f8jholdt, Kim Jezus, Kirsten Sj\u00f8str\u00f8m, Lis Lund Hansen, Linda \u00d8rnfeldt Jespersen, Malene Meyer, Malene Thorborg, Miguel Cabrera, Neel Junker B\u00e6rentsen, Nina Garst Jensen, Sanja Jelic Kristic, Sussanne Teilsg\u00e5rd, Tina R\u00f8nnow Pedersen.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1><strong><em>&#8220;The Driverless Man&#8221;<\/em><\/strong><\/h1>\n<h1>A theatre performance based on basic research in the Experimental Station<\/h1>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3170 size-large\" src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2021\/05\/2021ll-1-1024x438.jpg\" alt=\"\" width=\"1024\" height=\"438\" srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2021\/05\/2021ll-1-1024x438.jpg 1024w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2021\/05\/2021ll-1-300x128.jpg 300w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2021\/05\/2021ll-1-768x329.jpg 768w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2021\/05\/2021ll-1-1536x657.jpg 1536w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2021\/05\/2021ll-1-2048x876.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>A lonely man from a digitised world turns back time to 1964 in an attempt to reconnect with himself and the material needs of his body. But something has been lost. He doesn&#8217;t understand the landline phone, doesn&#8217;t recognise the book, is frightened by the doorbell&#8230; Only when he finally gets in touch with his original self does he discover what it costs him to seek presence.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><br \/>\n  <em>&#8220;The driverless human&#8221; <\/em><br \/>\n<\/strong>is a tragicomic, nonverbal slapstick and object performance by the Olske Orkester.<\/p>\n<p>The performance stands on the shoulders of 6 years of work at Fors\u00f8gsstationen with the basic research project <strong>&#8220;The Actor and the \u00dcbermarionette<\/strong> &#8221; &#8211; a research developed together with a large group of Danish actors, puppeteers and performing arts students, initiated by \u00d8yvind Kirchhoff.<\/p>\n<p>The study focuses on the scenic expression of the actor and the puppet theatre and the fusion of both into new scenic expressions and takes as its starting point the theatre theorist Edward Gordon Craig&#8217;s thoughts and ideas about the ideal actor &#8220;\u00dcbermarionetten&#8221;, a supermarionette with a style of acting free of psychology and realism inspired by the symbolic and poetic universe of the puppet.<\/p>\n<p>Through several phases, representation of the living (the biological body) and representation of the dead (the artificial body) were explored. This meant that both the puppeteers and the actors went beyond their familiar field of work and worked both with giving life to dead material (puppets, objects) and &#8220;giving death&#8221; to living material (living bodies that can be manipulated with complete abandon).<\/p>\n<p>&nbsp;<\/p>\n<p><strong><br \/>\n  <em>&#8220;The Driverless Man&#8221; <\/em><br \/>\n<\/strong><strong>plays at Fors\u00f8gsstationen, S\u00f8nder Boulevard 81, Vesterbro:<\/strong><\/p>\n<p>Thursday d. 3 June at 14 and 17<\/p>\n<p>Friday d. 4 June at 14 and 17<\/p>\n<p>Buy your ticket here:<\/p>\n<p><a href=\"https:\/\/www.cphstage.dk\/forestilling\/det-foererloese-menneske\/\">https:\/\/www.cphstage.dk\/forestilling\/det-foererloese-menneske\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Performer<\/strong>: \u00d8yvind Kirchhoff &#8211; <strong>Director:<\/strong> Lotte Faarup &#8211; <strong>Puppet and set design<\/strong>: Rolf S\u00f8borg<\/p>\n<p><strong>Lighting design and special effects:<\/strong> Jon Gelting &#8211; <strong>Sound design:<\/strong> Jonas J\u00f8rgensen &#8211; <strong>Technology and execution:<\/strong> S\u00f8ren Kyed <strong>Project management:<\/strong> Charlotte Rindom<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The choral work &#8220;Silence &#8211; Pause &#8211; Reverberation&#8221; and the performance &#8220;The Driverless Man&#8221; presented during CPH. STAGE. Read more about pre-stories, content and ticketing here. &nbsp; &nbsp; &nbsp; &#8220;Silence &#8211; Pause &#8211; Reverberation&#8221; A choral work of audience sounds &nbsp; &nbsp; For the past 5 years, the research station has focused on &#8220;audience relations&hellip;<\/p>\n","protected":false},"author":10,"featured_media":4246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-4800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","category-47","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Film screening and performance during CPH. 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