{"id":10572,"date":"2026-10-20T10:40:52","date_gmt":"2026-10-20T08:40:52","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/2026\/10\/audience-participation-with-voice-based-audio-interpretation\/"},"modified":"2026-10-22T09:43:04","modified_gmt":"2026-10-22T07:43:04","slug":"audience-participation-with-voice-based-audio-interpretation","status":"publish","type":"post","link":"https:\/\/www.forsoegsstationen.dk\/en\/2026\/10\/audience-participation-with-voice-based-audio-interpretation\/","title":{"rendered":"Audience Participation with Voice-Based Audio Interpretation"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221; css=&#8221;.vc_custom_1708630981679{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1708630969331{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_text]<\/p>\n<h4>Audience Participation with Voice-Based Audio Interpretation<\/h4>\n<p>How can audience voices be incorporated artistically as performers who convey mood in narrative theater? How does the storyteller act to facilitate voice-based sound improvisations as a mood-setting element in a performance? <\/p>\n<p>The dramaturgy of this version of the 4,000-year-old Gilgamesh views the character of Gilgamesh, King of Uruk, as a detoxification process for toxic masculinity. There is hope that the collective expression, represented by the citizens of Uruk\u2019s lament, will be heard on a higher plane. This motivates the events that cause Gilgamesh to turn away from his abusive behavior and venture into the layers of universal human emotion that had been hidden from him. After crossing the Waters of Death, without succeeding in escaping death, he gains self-insight and acceptance of human life, and returns home with a new sense of balance and respect for the sensitivity of the collective being.   <\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;]<span id=\"creative-link-wrap-9544\" class=\"ult_main_cl ult-adjust-bottom-margin  \" >\n\t \t\t\t<span class=\"ult_cl_link_3  ult_crlink\" >\n\t\t\t\t\t<a  data-ultimate-target='#creative-link-wrap-9544 .ult_colorlink'  data-responsive-json-new='{\"font-size\":\"desktop:16px;\",\"line-height\":\"\"}'  href=\"#\" title=\"Report\" target=\"_blank\" rel=\"noopener\"  class=\"ult_colorlink ult-responsive \" style=\"font-family:Montserrat;font-weight:600; \"  data-textcolor=\"#333333\" data-texthover=\"#333333\"data-style=\"Style_3\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<span data-hover=\"Report\" style=\"color:#333333;;;\" class=\"ult_btn10_span   \">Report<\/span>\n\t\t\t\t\t\t<span class=\"ult_link_btm3 \" style=\"border-color:#333333;border-bottom-width:1px;border-style:solid;\"><\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t<\/span>[vc_empty_space][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1734344326913{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_empty_space][vc_column_text]<\/p>\n<p><b>THE TEAM BEHIND<\/b><\/p>\n<p>Jesper la Cour. The Narrative Theater <\/p>\n<p>Documentary filmmaker Jonas Stenfatt: photography, audio recording, and interviews<br \/>: 2 fourth-grade classes. School students <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -15px; top: -16px;\">\n<div class=\"gtx-trans-icon\"> <\/div>\n<\/div>\n<p>[\/vc_column_text][vc_single_image image=&#8221;10431&#8243; img_size=&#8221;full&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221; css=&#8221;.vc_custom_1708630981679{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1708630969331{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_text] Audience Participation with Voice-Based Audio Interpretation How can audience voices be incorporated artistically as performers who convey mood in narrative theater? How does the storyteller act to facilitate voice-based sound improvisations as a mood-setting element in a performance? The dramaturgy&hellip;<\/p>\n","protected":false},"author":10,"featured_media":10432,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[326],"tags":[],"class_list":["post-10572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experiment-26-27","category-326","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Audience Participation with Voice-Based Audio Interpretation - Fors\u00f8gsstationen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.forsoegsstationen.dk\/en\/2026\/10\/audience-participation-with-voice-based-audio-interpretation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Audience Participation with Voice-Based Audio Interpretation - Fors\u00f8gsstationen\" \/>\n<meta property=\"og:description\" content=\"[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221; css=&#8221;.vc_custom_1708630981679{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1708630969331{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_text] Audience Participation with Voice-Based Audio Interpretation How can audience voices be incorporated artistically as performers who convey mood in narrative theater? How does the storyteller act to facilitate voice-based sound improvisations as a mood-setting element in a performance? 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