{"id":4387,"date":"2015-05-12T12:01:01","date_gmt":"2015-05-12T10:01:01","guid":{"rendered":"https:\/\/www.forsoegsstationen.dk\/trials-16-17\/"},"modified":"2024-08-12T22:04:11","modified_gmt":"2024-08-12T20:04:11","slug":"trials-16-17","status":"publish","type":"page","link":"https:\/\/www.forsoegsstationen.dk\/en\/trials-16-17\/","title":{"rendered":"Trials 16\/17"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column css=&#8221;.vc_custom_1652369157255{padding-right: 50px !important;padding-left: 50px !important;}&#8221;]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.blog-shortcode.blog-masonry-shortcode-id-e301d41850abd70eb738baf7cc153f5c.dividers-on.classic-layout-list article 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{\n    margin-bottom: 2px;\n  }\n}<\/style><div class=\"blog-shortcode blog-masonry-shortcode-id-e301d41850abd70eb738baf7cc153f5c mode-masonry classic-layout-list content-bg-on jquery-filter scale-img meta-info-off dt-icon-bg-off resize-by-browser-width loading-effect-none description-under-image \" data-padding=\"15px\" data-cur-page=\"1\" data-post-limit=\"-1\" data-pagination-mode=\"none\" data-desktop-columns-num=\"2\" data-v-tablet-columns-num=\"2\" data-h-tablet-columns-num=\"2\" data-phone-columns-num=\"1\" data-width=\"0px\" data-columns=\"0\"><div class=\"iso-container\" ><div class=\"visible wf-cell iso-item\" data-post-id=\"4849\" data-date=\"2022-03-21T21:12:33+01:00\" data-name=\"THE LAUGHING GAME\"><article class=\"post project-odd visible post-4849 type-post status-publish format-standard has-post-thumbnail hentry category-trials-19-20 category-69\" data-name=\"THE LAUGHING GAME\" data-date=\"2022-03-21T21:12:33+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-laughing-game\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img fetchpriority=\"high\" decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/09\/Latter1-768x512.jpg\" data-srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/09\/Latter1-768x512.jpg 768w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/09\/Latter1-1152x768.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"Latter1\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-laughing-game\/\" title=\"THE LAUGHING GAME\" rel=\"bookmark\">THE LAUGHING GAME<\/a>\n\t<\/h3>\n\n\t\n\t<div class=\"entry-excerpt\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] THE LAUGHING GAME The experiment &#8220;The Laughing Game&#8221; by Antoinette Helbing is based on the phenomenon of laughter. She uses already generated material from research on this in an exploration of how the many forms of value of laughter can be conveyed through a dancer&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-laughing-game\/\" class=\"post-details details-type-link\" aria-label=\"Read more about THE LAUGHING GAME\">Read more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell iso-item\" data-post-id=\"4838\" data-date=\"2022-03-21T20:58:47+01:00\" data-name=\"GESTURES\"><article class=\"post project-odd visible post-4838 type-post status-publish format-standard has-post-thumbnail hentry category-trials-19-20 category-69\" data-name=\"GESTURES\" data-date=\"2022-03-21T20:58:47+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/gestures\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/11\/Ellen2-1-768x512.jpg\" data-srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/11\/Ellen2-1-768x512.jpg 768w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/11\/Ellen2-1-1152x768.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"Ellen2\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/gestures\/\" title=\"GESTURES\" rel=\"bookmark\">GESTURES<\/a>\n\t<\/h3>\n\n\t\n\t<div class=\"entry-excerpt\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] GESTURES The GESTURES experiment aims to explore how, through our formal language of dance and music, we can work with, relate to, use, translate, record and understand processes and self-organising principles observed in nature. How can this inform strategies for generating choreographic and compositional form?&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/gestures\/\" class=\"post-details details-type-link\" aria-label=\"Read more about GESTURES\">Read more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell iso-item\" data-post-id=\"4829\" data-date=\"2022-03-21T20:53:16+01:00\" data-name=\"ACTOR&#039;S VIBRATIONS\"><article class=\"post project-odd visible no-img post-4829 type-post status-publish format-standard hentry category-trials-19-20 category-69\" data-name=\"ACTOR&#8217;S VIBRATIONS\" data-date=\"2022-03-21T20:53:16+01:00\">\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/actors-vibrations\/\" title=\"ACTOR&#8217;S VIBRATIONS\" rel=\"bookmark\">ACTOR&#8217;S VIBRATIONS<\/a>\n\t<\/h3>\n\n\t\n\t<div class=\"entry-excerpt\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] ACTOR&#8217;S VIBRATIONS The experiment &#8220;The actor&#8217;s vibrations&#8221; builds on the Olske Orchester&#8217;s recent experiment &#8220;The actor as shaman&#8221; on transformation and presence. In this attempt, the actor&#8217;s body and voice and habits are challenged to an extreme degree, in order to amplify the vibrations of&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/actors-vibrations\/\" class=\"post-details details-type-link\" aria-label=\"Read more about ACTOR&#8217;S VIBRATIONS\">Read more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell iso-item\" data-post-id=\"4824\" data-date=\"2022-03-21T09:38:11+01:00\" data-name=\"THE CIRCULAR SELF\"><article class=\"post project-odd visible post-4824 type-post status-publish format-standard has-post-thumbnail hentry category-trials-19-20 category-69\" data-name=\"THE CIRCULAR SELF\" data-date=\"2022-03-21T09:38:11+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-circular-self\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/08\/SARA-e1647851987986-768x512.jpg\" data-srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/08\/SARA-e1647851987986-768x512.jpg 768w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/08\/SARA-e1647851987986-1152x768.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"SARA\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-circular-self\/\" title=\"THE CIRCULAR SELF\" rel=\"bookmark\">THE CIRCULAR SELF<\/a>\n\t<\/h3>\n\n\t\n\t<div class=\"entry-excerpt\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] THE CIRCULAR SELF The experiment &#8220;The Circular Self&#8221; is led by choreographer Sara Gebran and explores how concepts like intimacy and inclusion can be established on stage. It is an elaboration of concepts and practices in her book &#8220;ANOTHER HOLE&#8221; (2019). Read the experiment&#8217;s purpose&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-circular-self\/\" class=\"post-details details-type-link\" aria-label=\"Read more about THE CIRCULAR SELF\">Read more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell iso-item\" data-post-id=\"4860\" data-date=\"2022-03-21T09:31:46+01:00\" data-name=\"THE FOXCAVE\"><article class=\"post project-odd visible post-4860 type-post status-publish format-standard has-post-thumbnail hentry category-trials-19-20 category-69\" data-name=\"THE FOXCAVE\" data-date=\"2022-03-21T09:31:46+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-foxcave\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20512&#39;%2F%3E\" data-src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/06\/TheFoxcave-PaleCurry-768x512.jpg\" data-srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/06\/TheFoxcave-PaleCurry-768x512.jpg 768w, https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2019\/06\/TheFoxcave-PaleCurry-886x590.jpg 886w\" loading=\"eager\" style=\"--ratio: 768 \/ 512\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"TheFoxcave-PaleCurry\" width=\"768\" height=\"512\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-foxcave\/\" title=\"THE FOXCAVE\" rel=\"bookmark\">THE FOXCAVE<\/a>\n\t<\/h3>\n\n\t\n\t<div class=\"entry-excerpt\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] THE FOXCAVE The Foxcave Development Project by Sew Flunk Fury Wit, explores the immersive theatre genre and attempts to answer the question of how to tell a sensory story that envelops its audience in interaction, sensing and narrative. The trial will take place in autumn&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/the-foxcave\/\" class=\"post-details details-type-link\" aria-label=\"Read more about THE FOXCAVE\">Read more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell iso-item\" data-post-id=\"4847\" data-date=\"2022-03-21T09:03:26+01:00\" data-name=\"VOICES FROM ENGHAVE PLADS\"><article class=\"post project-odd visible post-4847 type-post status-publish format-standard has-post-thumbnail hentry category-trials-19-20 category-69\" data-name=\"VOICES FROM ENGHAVE PLADS\" data-date=\"2022-03-21T09:03:26+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/voices-from-enghave-plads\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20300%20200&#39;%2F%3E\" data-src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/03\/STEMMER-FRA-ENGHAVE-PLADS-300x200.jpg\" data-srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/03\/STEMMER-FRA-ENGHAVE-PLADS-300x200.jpg 300w\" loading=\"eager\" style=\"--ratio: 300 \/ 200\" sizes=\"(max-width: 300px) 100vw, 300px\" alt=\"\" title=\"STEMMER FRA ENGHAVE PLADS\" width=\"300\" height=\"200\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/voices-from-enghave-plads\/\" title=\"VOICES FROM ENGHAVE PLADS\" rel=\"bookmark\">VOICES FROM ENGHAVE PLADS<\/a>\n\t<\/h3>\n\n\t\n\t<div class=\"entry-excerpt\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] VOICES FROM ENGHAVE PLADS After 8 years of metro construction and the closure of a square that is the setting for much local life in Vesterbro, Enghave Plads is alive again. Singer and composer Anna Kruse wants to give voice to those who were affected,&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/voices-from-enghave-plads\/\" class=\"post-details details-type-link\" aria-label=\"Read more about VOICES FROM ENGHAVE PLADS\">Read more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell iso-item\" data-post-id=\"4834\" data-date=\"2022-03-21T08:43:59+01:00\" data-name=\"SOMEWHERE, SOME TIME\"><article class=\"post project-odd visible post-4834 type-post status-publish format-standard has-post-thumbnail hentry category-trials-19-20 category-69\" data-name=\"SOMEWHERE, SOME TIME\" data-date=\"2022-03-21T08:43:59+01:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/somewhere-some-time-2\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20249%20166&#39;%2F%3E\" data-src=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/03\/somewhere-some-time-249x166.jpg\" data-srcset=\"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/03\/somewhere-some-time-249x166.jpg 249w\" loading=\"eager\" style=\"--ratio: 249 \/ 166\" sizes=\"(max-width: 249px) 100vw, 249px\" alt=\"\" title=\"SOMEWHERE, SOME TIME\" width=\"249\" height=\"166\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/somewhere-some-time-2\/\" title=\"SOMEWHERE, SOME TIME\" rel=\"bookmark\">SOMEWHERE, SOME TIME<\/a>\n\t<\/h3>\n\n\t\n\t<div class=\"entry-excerpt\"><p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1644785925100{padding-right: 25px !important;padding-left: 50px !important;}&#8221;][vc_column_text] SOMEWHERE, SOME TIME The experiment is based on the question &#8220;If we resist to attach a certain function or purpose to dance, and instead reinforce dance as something in itself by insisting on form, aesthetic and craft &#8211; what sort of experiences can unfold?&#8221;. The&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2022\/03\/somewhere-some-time-2\/\" class=\"post-details details-type-link\" aria-label=\"Read more about SOMEWHERE, SOME TIME\">Read more<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><\/div><!-- iso-container|iso-grid --><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^3326|url^https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2022\/02\/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null&#8221;][vc_column css=&#8221;.vc_custom_1652369157255{padding-right: 50px !important;padding-left: 50px !important;}&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4387","page","type-page","status-publish","hentry","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trials 16\/17 - Fors\u00f8gsstationen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.forsoegsstationen.dk\/en\/trials-16-17\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trials 16\/17 - Fors\u00f8gsstationen\" \/>\n<meta property=\"og:description\" content=\"[vc_row bg_type=&#8221;image&#8221; 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