{"version":"1.0","provider_name":"Fors\u00f8gsstationen","provider_url":"https:\/\/www.forsoegsstationen.dk\/en\/","author_name":"forsoeg","author_url":"https:\/\/www.forsoegsstationen.dk\/en\/author\/forsoeg\/","title":"Mention of main experiment in Teateravisen - Fors\u00f8gsstationen","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"30hhCnclGF\"><a href=\"https:\/\/www.forsoegsstationen.dk\/en\/2018\/01\/mention-of-main-experiment-in-teateravisen-2\/\">Mention of main experiment in Teateravisen<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.forsoegsstationen.dk\/en\/2018\/01\/mention-of-main-experiment-in-teateravisen-2\/embed\/#?secret=30hhCnclGF\" width=\"600\" height=\"338\" title=\"&#8220;Mention of main experiment in Teateravisen&#8221; &#8212; Fors\u00f8gsstationen\" data-secret=\"30hhCnclGF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.forsoegsstationen.dk\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Then there is again mention of the experimental work and what it brings to current performing arts work. \u00d8yvind Kirchhoff is interviewed in Teateravisen about the experimental work that gave new insights into the possibilities of the puppet and actor &#8211; exemplified in the work on the development of the performance Fox. Read the article&hellip;","thumbnail_url":"https:\/\/www.forsoegsstationen.dk\/wp-content\/uploads\/2018\/01\/IMG_0576-300x239.jpg"}