<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Fors&#xF8;gsstationen</provider_name><provider_url>https://www.forsoegsstationen.dk/en/</provider_url><author_name>&#xD8;yvind Kirchhoff</author_name><author_url>https://www.forsoegsstationen.dk/en/author/oyvindk/</author_url><title>Postdramatic theatre - Fors&#xF8;gsstationen</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="czCEEhYFk8"&gt;&lt;a href="https://www.forsoegsstationen.dk/en/forsoegsstationen-boeger/postdramatic-theatre/"&gt;Postdramatic theatre&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.forsoegsstationen.dk/en/forsoegsstationen-boeger/postdramatic-theatre/embed/#?secret=czCEEhYFk8" width="600" height="338" title="&#x201C;Postdramatic theatre&#x201D; &#x2014; Fors&#xF8;gsstationen" data-secret="czCEEhYFk8" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://www.forsoegsstationen.dk/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><description>&#x201C;Hans-Thies Lehmann&#x2019;s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in international discussions of contemporary theatre. Postdramatic Theatre refers to theatre after drama. Despite their diversity, the new forms and aesthetics that have evolved have one essential quality in common: they no longer&hellip;</description><thumbnail_url>https://www.forsoegsstationen.dk/wp-content/uploads/2015/06/headerimg.png</thumbnail_url><thumbnail_width>890</thumbnail_width><thumbnail_height>110</thumbnail_height></oembed>
