1.0Forsøgsstationenhttps://www.forsoegsstationen.dk/en/Øyvind Kirchhoffhttps://www.forsoegsstationen.dk/en/author/oyvindk/two for sensation - Forsøgsstationenrich600338<blockquote class="wp-embedded-content" data-secret="zZfGtOXLKO"><a href="https://www.forsoegsstationen.dk/en/2025/08/two-for-sensation/">two for sensation</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.forsoegsstationen.dk/en/2025/08/two-for-sensation/embed/#?secret=zZfGtOXLKO" width="600" height="338" title="“two for sensation” — Forsøgsstationen" data-secret="zZfGtOXLKO" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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https://www.forsoegsstationen.dk/wp-content/uploads/2025/08/Visual_by_Ollie_2025.jpg23881668[vc_row bg_type=”image” parallax_style=”vcpb-default” bg_image_new=”id^3326|url^https://www.forsoegsstationen.dk/wp-content/uploads/2022/02/bg-p.jpg|caption^null|alt^null|title^bg-p|description^null” css=”.vc_custom_1708630981679{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column width=”1/2″ css=”.vc_custom_1708630969331{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=””] two for sensation How do we source performance material out of sensation in real time, and where does that lead us? Keren and Maya explore different scores and frameworks for improvising with and out of sensation. We’ll use each…